Star Struck: Meeting Heroes From Our Youth

Living in Los Angeles, I’m seldom star-struck. But partway through a writers’ conference in Cleveland, I morphed into a pile of quivering You’re my hero! mush.

I’ve just returned from Bouchercon—a convention celebrating crime fiction. In my three times attending, I’ve been struck by the incredible warmth of the community. And I’m not talking thriller-style heat. The general attitude among authors is “How can I help you?”

While the fest is a blast, it’s also work. Authors mingle about in professional/friend mode, soaking up the experience with business cards at the ready. On day two, I snapped from adult professional to quivering, twitter-pattered teen. Sitting in the front row before a panel featuring Mary Higgins Clark, my palms clammy and my heart beating triple time, I nearly burst into tears.

I first read Clark’s A Cry in the Night by Clark in fourth grade. The tattered library book I never returned accompanied me to school, bed and my first—nearly last—babysitting job. (Picture two-year-old twin boys “playing” in a bathroom to the ignorance of their book-obsessed babysitter. Not pretty.) I’d finish the book then try to repress parts before reading it again. In all, I probably read A Cry in the Night eight times. Thankfully, she had other books to fill the gaps.

Back then, the Indigo Girls, Oprah and Mary Higgins Clark were my peeps—the cool aunties I looked up to and relied on whenever times grew drab, confusing or tough. According to recent studies, I’m not alone.

Research compiled by the British Psychological Society showed that celebrity fandom often peaks during adolescence, and might function as part of our extended social networks. 

It makes sense that we look to those we admire when questioning and contemplating our identities and the plethora of changes that infiltrate our pubescent lives. The Indigo Girls taught me to play guitar, to share honest feelings through song and not place my self worth in brand-names or makeup. Oprah taught me—well, that’s another episode series. And Mary Higgins Clark cemented in me the incredible power of story. Seeing as I “grew up” to be a writer, she’s arguably the most influential of all.

Fearing I’d stand up and open the flood gates by asking Clark a question, I simply absorbed the talk then headed to the book room where I stood in line for an autograph. (Though the crowd and vibe varied, it reminded me of waiting for the Indigo Girls post-concert for the first time—minus my security blanket guitar.) By the time my turn came, time and Clark’s kindness induced calm. I thanked her, briefly shared she’s meant to me then answered her questions about my career. (Like I said, warm.) I walked away with an autograph and gratitude for what Oprah would call a full-circle moment. I’d done my inner-little-girl proud.

I don’t know about you, but as time goes on, I feel continually more connected to the little-kid me. It’s as though life’s struggles sent me on a detour then back to my authentic self. Having an opportunity to thank someone who’s played such a valuable role in my journey made Bouchercon feel like Christmas.


When we love what we do and do what we love, most anything’s possible. And while I don’t have any findings to support it, I suspect that connecting with fabulous others, putting ourselves out there, pursuing passion and expressing gratitude can make dreams we never realized we had come true. Experiences like Bouchercon show me that. Who knew a crime fiction fest could be so darn heart-felt?

Have you ever been star-struck? Or met someone you admired as a kid? What celeb makes your heart pound?

Blog Blast: Literary Agents’ Advice for Writers

Happy weekend, all! As a followup to my last post, I’ve gathered recent posts composed by literary agents for writers. I hope you find them as insightful as I did.

Have the BEST book idea? Mike Larsen, of Larsen-Pomada Literary Agents, shares 16 Questions for Test-Marketing Your Book Idea on his award-winning blog. 

Think your book is publish-ready? In her post, I Don’t Believe You, Janet Reid, of Fine Print Literary Management, suggests you think again.

Can publishers predetermine which books will sail to the top of the charts? No, according Jane Dystel of Dystel & Goderich Literary Management. Gain her insight here: A “Sure Thing?” 

Eager to attract an agent? Dawn Dowdle, of Blue Ridge Literary Agency, shares her top pointers here: Agent Advice.

Frustrated by having to write AND build your platform? Read Publishing in a Brave New World: Rachel Gardner, of WordServe Literary Group, on the value of publishers and why authors should stop complaining about platform-building.

Thinking of wallpapering your home with rejection letters? Carly Watters, associate agent at the P.S. Literary Agency, tells us How to Avoid the Rejection Blues.

Thinking of attending a writer’s conference? Learn How to “Pick-Up” a Literary Agent and other conference tips from former literary agent and founder and CEO of Literary Agent Undercover, Mark Malesta.

Pssst! Contrary to popular belief, literary agents are not only humans, but often congenial, helpful and sharp as whips. (Few pout as much as Rosie.) The first agent to read my manuscript sent me such a kind “rejection” letter, I considered adding his family to my holiday gift list. My perhaps worst response came from a woman who said she found my novel “quite disturbing” and that I best convert the whole thing into a family drama. Seeing as I write suspense thrillers, I wasn’t offended. 😉 I did, however, question my agents-to-approach picking skills…

Have an agent-related story to share? Lessons you’ve learned or are grappling with?

How I Met My Agent (And You Could, Too)

If you’re like many writers, the moment you stamped “complete” on your revised and polished manuscript, you dove into agent-seeking mode. By the time I did so, I’d asked numerous authors how they landed their agents. And wouldn’t you know, every darn story was different. Gregg Hurwitz met his through an internship. Chris Rice was born lucky. (And talented.) His mother is the renowned author, Anne Rice. Ernessa T. Carter got hers through a good ‘ol fashioned query letter. And Stacy O’Brien, via the Southern California Writers Conference. 

A multitude of options exist for writers seeking representation. I believe in taking advantage of all of them. So I sent out a slew of e-queries and signed up for several writers conferences. I’m happy to say that my efforts paid off last July at AgentFest–the “pitch session” portion of ThrillerFest–in NYC. The coordinators asked me to share some insight on my experience, which I was *thrilled* and eager to do. 😉 Here’s the story, which appears on their website:

Something Did Happen
By August McLaughlin

“So you’re going to fly across the country to one of the most expensive cities to attend a pricy conference? What if nothing happens?” a friend asked after I registered for AgentFest.

“I’m going. Something already is happening,” I replied, sensing that his skepticism was geared more toward his stay-in-Los Angeles plans than mine to attend.

I’d been to three other conferences since completing my novel, IN HER SHADOW. And although I benefited from every one, I’d met a grand total of twelve agents, several of whom did not represent thrillers. AgentFest provided an opportunity to “speed date” with rooms full of agents in my genre. (Can we say ‘heaven’???) Considering the stockpile of queries agents routinely receive, I figured any chance to stand out, demonstrate my commitment as an author and bypass the risks of accidental email deletions was worthwhile. Plus, what other opportunity do we have for immediate feedback?

It was costly, so I asked myself this: If you end up landing an agent at this conference, would the airfare, hotel and conference fees be worth it? Absolutely.

Lucky for me, that happened.

Before the two-and-a-half-hour pitch session, I stood in a long line of anxious writers, my heart pounding and palms sweating as though it really was an important first date. Thanks to a suggestion from the ThrillerFest website, I had my one-line, “What if . . .” statement prepared and an armful of information sheets with a synopsis of my novel and my name, photo and contact information.

I pitched to twelve agents and two editors. (Thankfully, my knees stopped shaking after my first.) Thirteen requested materials. About a month later, I received two emails requesting phone calls to discuss representation—one from John Rudolph of Dystel & Goderich Literary Management. I knew as soon as I read John’s that I wanted to sign with him; he was my top choice of the twelve. We chatted by phone and I signed a contract the following day.

Even if I hadn’t gained representation, I would not have regretted attending. As writers, we often lead solitary lives. There’s little better than submersing ourselves in a community of others who “get” us—share similar passions and relate to the world through words and stories. You also get a gift bag of books and the opportunity to hear fantastic speakers. In this way, AgentFest beats most every conventional date I’ve been on.

I feel extremely blessed, both to have had the opportunity to attend AgentFest and to be working with agent John Rudolph.

As for my skeptical pal, he’s already signed up for next year.

******

ThrillerFest 2012 will take place July 11th – 14th in New York City. To learn more, visit ThrillerFest.com. Sign up now for an early bird discount!

For a database of literary agents and publishers, visit:
Query Tracker (Allows you to track queries sent and responses received–for free!)
Writer’s Market (Allows you to agent-seek and utilize plentiful writing/publishing resources for a modest monthly fee)
Agent Query (Super user-friendly “quick search” options – all free!)

To find writers conferences in your genre or geographical area, visit:
 Writers Conferences & Centers

What about you? Seeking an agent? Planning to pitch at a conference? Have an agent and willing to share your story? I’d love to hear from you!

Interact in Moderation: How Commingling Breeds Success

When I completed my first novel, I called my mother, somewhat farklempt. “Take a nap,” she said. “You just birthed a novel.”

‘Creativity’ has historically been used interchangeably with the term ‘genius,’ a Latin word derived from the Greek ‘ginsethai.’ Translation? “To be born.” In other words, Mom was right on that birthing bit.

And our creative artistry may require as much…um, pleasurable interaction as literal ‘birthing’ does. (No, I’m not referring to THAT type of interaction, although hmm… I do think that helps. Another blog topic entirely…) Back to my point.

In a study published in the Journal of Applied Psychology in Nov. 2009, researchers found a significant link between creativity and social interaction among corporate employees. Employees with intermediate social interaction exhibited significantly more creativity than those with weak or strong social ties.

We can take this to mean that A) sitting at home in our writing caves 24/7 can zap our creativity, B) partying every night and much of our days on Twitter, Facebook and other social media what-have-yous can do the same, and C) moderate amounts of social engagement can boost your creative juices. Yeah-oo!

Writers conferences provide an awesome opportunity for concentrated amounts of interaction so that we can spend most of our time in between with our craft.

Last week, I had the joy of spending several days at Bouchercon—an annual convention where readers, creators and devotees of crime fiction unite. As usual, I experienced the slightest bit of guilt before leaving Los Angeles. I should be writing. Is it worth the time “off?” Perhaps I’m spending too much money. Seeing as it wasn’t my first conference, I already knew the answers to my concerns: You’ll probably write there. Your writing will improve as a result. This IS part of your work. DUH, of COURSE it’s worth it. And important. And a blast.

I connected with friends I met last year, made new ones and experienced more than a few epiphanies regarding my writing throughout. In a word, it was inspiring. One highlight involved meeting Pat Frovarp and Gary Shulze—co-owners of the “Once Upon a Crime” bookstore in Minneapolis, near my former stomping ground and where I hope to have my first Midwestern book signing.

And now I’m back in my L.A. “office” (my bull dog-topped sofa), with heightened vigor for my writing routine. And see? I’m still finding time to pop in, post, Tweet, FB, etc.

If you’ve considered attending a writers conference and haven’t yet taken the leap, please do so. I can almost guarantee you’ll thank me. 😉

A few fabulous resources:

Southern California Writers Conference Open to all genres and levels; craft, business, fiction/nonfiction; tight-nit group with lots of support. A great place to start! For a fee, have some of your writing reviewed by an agent, editor or author.

Bouchercon 2012 Plenty of time to prepare/save up, etc. 😉 For readers, writers, agents, publishers, book sellers and editors of crime fiction. Fantastic panels and speakers, fun fun fun!

Dallas Fort Worth Writers Conference Ample access to agents and others pros, terrific speakers, workshops, etc.

Writers Conferences and Centers Search for conferences by keyword.

Comment on your experiences or goals regarding writers conferences or similar interactions (clubs, critique groups, etc). One lucky winner will win a $15 Amazon.com gift card!