Freedom’s Hand: Hell Revisited

“After nourishment, shelter and companionship, stories are the thing we need most in the world.” — Philip Pullman

I’ve long believed that stories can, and do, change the world. The most important ones never leave our hearts or minds, no matter how many we read or how much time passes. Mike Sirota’s latest work, a social thriller entitled Freedom’s Hand, is one of those stories. Set in modern times, Freedom’s Hand is equal parts thrill, terror, heartache and inspiration, bringing necessary light to issues many people mistakenly believe ended with the Holocaust. I posted the following review on Amazon:

Important and compelling! 5.0 out of 5 stars

Mike Sirota has a way of pulling readers into his stories in deeply emotional ways. With FREEDOM’S HAND he goes beyond mere storytelling and
nearly forces the reader to contemplate real evils in the world and, more importantly, the necessity and possibility of escape. Dark, suspenseful and deliciously un-put-downable, FREEDOM’S HAND is one of the best thrillers I’ve read in some time.

I’m honored to have the author here today, sharing thoughts on the story, the hellishness therein and how he managed to step into the dark places writing it required. Thanks so much for joining us, Mike!

Freedom's Hand Ebook Cover

Just like the name of my blog (“Swords, Specters, & Stuff”)—and one of my websites—professes, most people know me as a writer in genres such as sword & sorcery, sword & planet, horror, paranormal, fantasy, and science fiction. That is why my newly released novel, Freedom’s Hand, may come as a surprise, for it is none of the above. But given where a great deal of the story takes place—inside a concentration camp on American soil—it may prove more disturbing than any previous gore-fest I’ve written. Why? Because it HAS happened in the past. For real.

“For the dead and the living, we must bear witness.” ― Elie Wiesel

“For the dead and the living, we must bear witness.” ― Elie Wiesel

THE STORY

As with many things, the actual creation of Freedom’s Hand has a history—in this case a long one. But before I get into that, let me offer a plot abstract, at least for the early scenes. The story opens in 1943 Poland with a teenager named Nathan Adler inside a crowded cattle car, one of many pulled by a locomotive on its way to oblivion. Nathan’s mother and young sister are with him. Eventually the train pulls into Auschwitz. Nathan, a sturdy young man, is taken aside to join a work detail. His mother, a cripple, is put on a line to the gas chamber. The sister, four years old, staggers about helplessly before being torn apart by guard dogs as Nathan watches.

The majority of the story takes place in 1994. A now elderly Nathan Adler, a widower, is on a summer driving vacation with his family: his daughter, Susan Lowe; her husband, David; and Heather, their eight year old, Nathan’s beloved granddaughter. Nightmares of the past still torment him, but he manages to deal with them.

Then, the nightmares become real once again as the family is kidnapped in Nevada by a white supremacist group called Freedom’s Hand. Thrown into a cramped, stifling compartment in the back of a church bus with other prisoners—mostly blacks and Mexicans—they are transported to a strange compound deep in the searing desert. While the others are incredulous, Nathan seems to know what is happening; he’s been there before.

The compound, enclosed by towering fences topped by barbed wire, is called LAGER—the German word for “camp.” Manned by an army of brown-shirted thugs, Lager is the brainchild of an enigmatic man who, early on, is known only as the Commander. This monster is dedicated to the systematic extermination of all minorities. His “technical advisor” is Unterscharfuhrer Heinz Kell, an old man now but once part of Nazi Germany’s Protection Squad, the SS, and a prison guard at Auschwitz. Kell had been a personal nemesis to the young Nathan, and their meeting now—fifty years later and a world away—is monumental…

Just as I would hate to give away how this confrontation ends up, so am I loath to say much more about the story without revealing too many key plot points. David and Susan Lowe, as the main protagonists, must call upon courage that they would have thought unimaginable if they are to survive this Hell on Earth called Lager and save their family from this camp of swaggering monsters. The odds are seriously stacked against them.

WOMEN AS SEX OBJECTS—WHAT ELSE IS NEW?

To give just a little away: Susan, in order to save the life of her daughter, becomes part of the “entertainment squad.” Incredulous when she begins to suspect what they want of her, she is told by one of her captors, “You’ll do what God in His wisdom meant for all you bitches to do when He put you on this earth!” This degradation mirrors what the Nazis did to many of their female prisoners.

"History is herstory too." — unknown

“History is herstory too.” — unknown

MONSTERS REAL AND IMAGINED

I’ve written about human monsters before—think Bruno Leopold in Fire Dance—but the Commander presented a different kind of challenge and, in retrospect, became the most difficult character that I ever created. What makes a Hitler, or a Stalin, or a Pol Pot, or a Joseph Kony tick? These are heads that the average person doesn’t particularly want to delve into, but as a writer you have no choice—not if you want readers to believe that your characters could be motivated to engage in actions so heinous. So how does one do this?

In Freedom’s Hand I use a series of flashback scenes, spread out over many chapters, to show how a monster evolves. Preceding each flashback the Commander is usually talking to his second in command, a friend who addresses him as “Martin.” Over time we learn that Martin’s mother was the most famous actress of her era, his father one of the world’s richest men. We experience Martin as a boy, a teen, a young man, and so on, not only with tons of emotional baggage but also with incidents occurring at each stage that could spur some racial or religious intolerance and motivate hatred.

But enough motivation to make someone go out and erect a concentration camp in the desert of the American Southwest and dedicate a life to destroying human beings?

STEPPING OUT OF MYSELF

To accomplish this I truly had to separate Myself from Myself—from who and what I am, from all I believe—and become the mind and the voice of a monster. In a chapter titled “Revelation” the flashback scene has Martin as a young man. He has just graduated from a military academy and is staying with a friend in Chicago. The friend takes him to a rally in a suburban park, where a neo-Nazi group has challenged—and won—their right to free speech in court. (This is based on a number of true incidents.) The park is in a predominantly Jewish neighborhood, one where many Holocaust survivors live. They are out in force, as are many other Jewish and African American organizations, to protest the speech given by Robert Earle Wesley of the New Socialist Front. Martin is minimally interested, and because he hates crowds he really wishes that he were somewhere else—at first.

I modeled Wesley after George Lincoln Rockwell, an infamous American Nazi of the 1950s and ’60s. His rants against Jews and blacks were poisonous—and so was the one that I put in the mouth of Robert Earle Wesley. To this day I remain stunned that I could have ever written such words, or imagined such thoughts. But to make their stories work, writers sometimes have to step far out of their comfort zones. I mean, does Thomas Harris have his doctor for dinner with some fava beans and a nice Chianti? Does James Patterson enjoy some of the same simple pleasures as his greatest antagonist in the Alex Cross books? I think not; yet Hannibal Lecter and Kyle Craig are two of the most believable and chilling monsters in all of fiction.

I won’t share any of Wesley’s diatribe here; you can read it all and judge for yourself. But as the chapter ends with the police breaking up the demonstration it is evident that Martin has been affected by what he has witnessed:

They had stopped the words, but the young man still heard them and would continue to hear them. He saw them rush Wesley off, in a different direction. He would not reach the man; not today. But he would find him. He had to find him.

Because now, for the first time, he knew exactly what he wanted to do with his life.

As I said before, the history and evolution of Freedom’s Hand is a story by itself. You’ll find that story at this link: Freedom’s Hand: Behind the Story.

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To purchase Freedom’s Hand, visit this link via Amazon.com. You can also connect with Mike on Facebook and Twitter.

Any thoughts or questions to share with Mike? In addition to being a prolific writer, he’s a skilled editor and writing coach. In other words, he’s a WEALTH of information! And friendly, to boot. If you’ve read Freedom’s Hand, I hope you’ll share your thoughts!

On (Truly) Strong Females, Recycled Tropes and Hope for the Horror Genre

Happy Halloween! I’m a bit low on candy (okay, I don’t have any – *sniff*), but I do have a special treat for you all. Today I’m thrilled to share my blog living room with one of the most brilliant folks I know. Karina Wilson is a British writer and story consultant based in Los Angeles who knows the horror genre better than most. She took time out of her hectic week to chat with me about the genre, addressing some of the issues we addressed on Monday, and more. We are so fortunate to have her. (Thanks again, Karina!)

Horror scene of a scary woman

August: What sexist themes are most common in the horror genre as of late? Has the apparent popularity of the “strong female” archetype made a difference?

Karina: There are strong females and there are strong females… I find the emphasis on women only finding strength through their mothering instincts (e.g. INSIDIOUS, MAMA, BYZANTIUM and THE CONJURING) quite disturbing; only women who’ve conformed to social expectations and played the “good mom” role are perceived as having value and are therefore permitted to survive. This is especially worrying when it plays out to target audiences weaned on poor, benighted Bella Swan, who wanted nothing more from life than to get married and have a baby before her 19th birthday. However, WE NEED TO TALK ABOUT KEVIN (one of my favorite films of the last few years) counterbalances this ‘cult of Motherhood’ quite nicely.

I’m also very wary of the current fashion for witch-bashing, which was particularly iniquitous in HANSEL AND GRETEL: WITCH HUNTERS. It’s all a bit too glib and easy (the Crone with warts on her nose must die!), and doesn’t acknowledge that witch hunts led to the deaths of tens of thousands of women in Europe during the peak of the Inquisition, and that accusations of witchcraft are still used to justify lynch mobs and the murder of old women across Africa. It’s all part and parcel of the expressed desire to persecute women who don’t fit neatly into the marry-reproduce-nuture mold – there’s nothing wrong with doing that, per se, but women who don’t choose that path shouldn’t be routinely demonized.

August: What’s the dynamic like for female writers and filmmakers in the genre?

Karina: I actually think horror is a more welcoming place for women than many other segments of cinema – you’ll find more female-driven story lines than in action or biopics, for instance, or those ‘heavy-hitting’ dramas that clog theatres this time of year, and I personally know a number of female horror directors. However, I believe there is a fetishization of violence against women in low-budget horror that has to stop. A rape/torture storyline is one of the cheapest and easiest things to film, but that doesn’t mean filmmakers should keep doing it. Why keep putting it out there, especially when it keeps coming from the tired perspective of the male gaze? We’re not in 2005 any more. Screenplays where conflict arises only from the suffering of a young, attractive woman are often more reflective of the writer’s mental health than about telling a story. They read like a cry for psychiatric help rather than entertainment.

August: Do the sexist notions cut both ways, affecting both genders? 

Karina: Horror movies have to conform to a fairly solid set of conventions – otherwise they’re not horror films anymore. Unfortunately, filmmakers mix up stereotypes and tropes, and recycle the same old same old characters thinking that this is what the genre demands. It’s not. As long as your story is structured along the right lines, you can innovate with characters, especially in terms of race, age and gender. The more you defy expectations on that front, the more enjoyable even a familiar story can be. CHASTITY BITES is good example of a recent independent horror movie that made huge efforts to defy stereotypes, with a subsequent payoff in audience good times.

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August: Why do you feel sexism in the genre seems to carry on, after significant amounts of (if partial) progression?

Karina: The male gaze. We’ve been looking at women as objects rather than subjects for so long, that we’ve forgotten there are other ways of seeing ourselves. So many movies across the board, from family fare to R-Rated, are produced, directed, photographed, written, edited and scored entirely by men that there’s no room for female perspectives. The statistics from research like that done by the Geena Davis Institute on women’s roles within the media are heartbreaking. There are so many talented women out there who never get a voice, or, when they do, their voice is diluted.  It’s so rare to see a film like Sam Taylor-Johnson’s NOWHERE BOY that even partially embraces the way women look at men with desire rather than the other way around.  She’s up to direct FIFTY SHADES OF GREY, which could be very interesting. So sexism is a huge issue across movies in general, not just horror.  I sincerely hope things will change throughout the entire industry so that the female gaze becomes a familiar way of seeing for audiences.

August: How can readers, film watchers and creative artists make a positive difference in these regards?

Karina: Tell stories not just about women but from a female point of view. Embrace those stories where you find them. Think about ways in which the female gaze is different from the male’s, and why there’s room for both in our filmed and printed fictions. Tell your friends. Begin a cultural revolution.

August: Brilliant. Any such horror writers, books or films you’d recommend?

Karina: Where to start? Anne Rice, Angela Carter, Shirley Jackson, Daphne Du Maurier are the grande dammes of horror fiction, and they’ve been telling stories from a female point of view for a long time. If you haven’t read them, you should. More recently, Michelle Paver, Sarah Pinborough, Sarah Waters, Lisa Tuttle, Muriel Gray, Sarah Gran, Sarah Langan and many more – go crazy with your “To Read” pile (but why are there so many Sarahs?). I’m always looking for suggestions for my column on horror and cult fiction, LURID, at LitReactor so hit me up via Twitter (@medkno). Female-directed horror movies you should see are AMERICAN MARY, TROUBLE EVERY DAY, NEAR DARK, IN MY SKIN, FUGUE, PET SEMATARY, THE COMMUNE and THE ATTIC, again, to name but a few. There’s so much material out there.

To learn more about Karina, visit www.horrorfilmhistory.com.

We’d love to hear your thoughts! What struck you most about Karina’s insight? What’s your take on “strong female” characters? Do you seek out or aim to write/create female-driven stories? What’s your favorite horror book or film? ♥

Boobs, Brainlessness and Horror Films: Sexism on the Big Screen

“Sex is like flypaper to the average murdering psychopath, and anyone who wishes to participate in it during a horror movie is going to die horribly, probably mid-coitus.” – Cracked.com

Romantic Blonde Woman Holding The Light Of Love

Amber: Popular girlfriend of Jason (male lead/college football star), blonde and blue-eyed, beautiful, but with hint of mischievousness – think Exotic meets Girl Next Door. After seeing Jason kiss her best friend, she runs away, has sex for the first time ever with Jason’s geek brother Tom, then gets lost in the woods where she is attacked by werewolves.

With a description like that, wouldn’t you just love to be Amber? I wanted to, badly, leading up to my audition for the indie film role during my acting days. My heart aches a bit, recalling how fervently I tried to bring depth to the countless lovely yet dim-witted or smart but dangerously seductive characters I portrayed. Huddled with other actors at my coach’s studio, we’d take turns exploring the emotional layers that hid beneath our characters’ ruses.  “Kim” was as insecure as anyone, I’d assert, and simply played her “dumb” card for attention she felt unworthy of. “Jessi” wasn’t using her sexuality, so much as seeking and celebrating it the only way she knew how; it only appeared that she was pushing her boobs in guys’ faces then treating them heartlessly. (Sometimes boobs just, you know, fly up there! And sometimes you really do need to wash your hair on Friday night…or accidentally stab a guy.)

If nothing else, the preparation made the characters more appealing to portray, staving off the sense that I was selling out. Giving my all to every role I played seemed crucial to my craft and career, both of which I took seriously. There are supposedly no “small parts,” after all. It took me a while to realize that my preparation—adding depth where none was desired—may’ve worked against me, preventing me from landing many of the roles I’d hoped might lead me to grander pastures.

One casting director told me to not to “think so hard,” that the character was “light and perky” and that something about my portrayal seemed too introspective and mature. Another suggested I be less articulate. “Think bimbo barbie,” she offered with a laugh.

I believe Sanford Meisner’s theory, that the best acting involves living truthfully in imaginary circumstances. (Similar notions apply to great writing, in my opinion.) The problem with Amber and characters like her is that they make authentic portrayal nearly impossible, without extreme stretches of one’s imagination. Why? Because sexist stereotypes, such as the “dumb blonde” persona, aren’t truthful. Sadly, they cement and perpetuate the false notions, leading the masses to take them seriously on some level—even when it’s all in the name of good fun.

With Halloween on the horizon, I decided to go through some of the horror scripts and audition scenes from 5 or 6 years ago. Here are a few patterns I observed, with very few exceptions:

♦ The female lead (Perky Popular Girl) is likely to walk directly into obviously dangerous situations she’s terrified of, alone. When the monsters or intruders attack, she’ll stop like a stunned deer, tremble and cry then attempt to claw her way out of the situation by flailing about.

♦ Popular Girl must house her perky breasts in a powerful pushup bra (my breasts have been taped in place – OUCH) and maintain salon-chic, if romantically tousled, hair and makeup, even after being chased through a dark wood or stuck in an abandoned cabin, car or camper for days on end.

♦ Chaos will undoubtedly unfold during a rainstorm, in which Popular Girl’s perky, pushed-up breasts will have no choice but to make themselves (much more) known. As she runs frantically through the rainy wilderness, she’ll fall down at least 7 trillion many times.

♦ The sharpest female character will be a gawky, unpopular, non-blonde virgin, and likely Perky Popular Girl’s adversary. Desperate to be “cool,” but loathing female peers who are (while possibly lusting after Mr. Cool Asshole), she’ll outlive her “oversexed” (having any sex) counterparts.

♦ If Perky, Popular Girl and her stud-muffin beau are sexually active, the monsters/evil forces/psycho-killer will transform them from lust-filled lovers into a bloody pulp—or, if they’re lucky, vengeful zombies.

Some psychologists theorize that sexual stereotypes are perpetuated in horror films because we, as viewers, have been socialized to associate Barbie-like women and studly “bad boys” with sex. Filmmakers want to arouse viewers on multiple levels—and little gets our adrenaline flowing like sexual arousal.

Sexual arousal is a GREAT thing, as everyone at Girl Boner Central (including you fabulous readers!) well know. What saddens me is how many of us witness these ideals without recognizing the potential harm. (It’s extremely easy not to, considering their abundance.) Even if we have wonderful intentions, the notions can creep into our subconscious, strengthening society’s hurtful messages that we have to look and act a certain way to be considered attractive and valuable, and that sex is a dark, insidious and risky practice reserved for certain people—who, if they’re young, will be severely punished.

While I don’t think it’s necessary to avoid horror flicks or other films with sexist themes, I do think it’s important to recognize the damaging stereotypes, and for those of us who wish to change these stereotypes—and ourselves, for the better—to dig deeper. Asking questions, forcing ourselves to look beyond the surface of entertainment (even when it’s unpleasant), supporting and creating sex-positive works and engaging in conversation about these issues can go a long way. We’re not likely to gain Hollywood happy endings quickly or soon, but every step matters.

Basic RGB

We’ll explore these topics further in upcoming posts. In the meantime, I’d love to hear from you! Does sexism or other stereotyping in horror films bother you? Which stereotype irks you most? Any commonalities to add to my list? Don’t be shy! Here in GirlBoner-land, we welcome all respectful thoughts. ♥

Self-Love, Recovery and a Thriller Freebie!

body image

Embracing our physical selves can be one of life’s toughest feats. My personal battle with low body image started at age 5 and lasted into my late 20s, and in my years of eating disorder recovery and the thriving that’s followed, I’ve encountered hundreds, perhaps thousands, of women whose battles run deeper and longer. It’s not fair or right that so many of us loathe ourselves, or that we’re taught to place our personal self-worth on factors as trivial as dress size, facial features or weight. But all of that’s too easy in today’s world.

If there’s one thing that my personal journey has taught me, it’s that the cliche holds true: True beauty really does radiate from within. When we strive to fulfill our hearts’ and souls’ desires rather than expectations set by diet trends, the media or the entertainment industry, we feel and appear more beautiful in EVERY way. LIFE becomes beautiful, and so does our place in it. 

Anyone who’s overcome eating disorder will attest that coming to terms with this is the most difficult and important work one can ever do. Those who’ve found their way through darkness to the sunshine called full, forever recovery (I consider myself recovered) also know a special kind of glory that can be all of ours.

In honor of the beautiful folks who are grappling with eating disorders or related issues (disordered eating, depression, anxiety…), I’m running a freebie promotion of my novel, In Her Shadow, today through Saturday. Since my last freebie promotion boosted sales afterward significantly, I’ve decided to donate 10 percent of my profits for the month following to the National Eating Disorders Association. I’m so excited to support this wonderful organization.

In case you’re unfamiliar, here’s a glimpse at my novel’s story:

One woman locked in a basement, nearing death and longing for escape. Another baffled by the inexplicable symptoms wreaking havoc on her life. Both are lost and alone, yet somehow connected. And time is running out…

In Her Shadow cover_med

Near the tenth anniversary of her parents’ unexpected death, Claire Fiksen, a lovely young Harvard-grad and gifted psychologist in Minnesota, develops bizarre symptoms of an eating disorder that threaten her fledgling career, her relationship with a handsome young medical student, her grasp on reality and, soon, her life.

When her beloved grandfather reveals that there may be more to her parents’ death than she’s realized, Claire’s pursuit of healing becomes a desperate search for answers as she delves into her family’s sordid past. Meanwhile, someone is watching her every move, plotting to draw her into her own twisted web of misery.

Claire has something he needs, and he’ll stop at nothing to obtain it. Every step Claire takes brings her closer to the truth and danger. And her life, she discovers, isn’t the only one at stake.

 “As McLaughlin, a certified nutritionist and health writer, slowly reveals the mysteries behind Claire’s illness, as well as long-hidden truths and snippets of memories, the novel’s darkness gathers like storm clouds. An engaging story with an inventive structure and an intriguing focus on body-image issues.” — Kirkus Reviews

To nab your free e-copy, visit IN HER SHADOW on Amazon.com today through Saturday, August 10th at midnight.

*****

SPECIAL EVENT! I’d also like to invite you all to a virtual party taking place on Facebook tonight from 6 – 8:30pm PST. I’ll be sharing an abbreviated live recording of my story, “Does Dirt Have Calories?,” sharing highlights from my recovery, taking and posing questions and keeping the virtual empowering drinks flowing! I hope you’ll stop by and join the fun.

For details, to RSVP and to join in once the party has started, visit BEYOND THE SHADOWS: A SELF-DISCOVERY/RECOVERY PARTY!

Thanks, all, for your ongoing support and overall awesomeness! You’re total bright spots in my day. ♥

Mike Sirota on Writing, Indie Publishing and His New Release!

“The truth will set you free, but first it will piss you off.” — Gloria Steinem

For Mike Sirota and his readers, that’s a very good thing.

Mike is one of my favorite people, and not merely because he edited In Her Shadow and was wearing a Beatles shirt when I met him (although obviously—perks!). He’s as kind as his tales are terrifying and seems to enjoy writing and helping fellow writers equally—both of which say a lot.

I’m reading his brand new release, Freedom’s Hand, now and have to say—it’s AWESOME. If you enjoy character-driven, suspenseful, heart-wrenching stories (and who doesn’t?!?), I highly recommend that you zip over to Amazon and nab a copy. Read on for more of the ins and outs of his wonderful story and why it came into fruition.

FREEDOM’S HAND, by Mike SirotaMike Sirota books author editor

As a teenager, Nathan Adler barely survived the horrors of the Auschwitz death camp at the hands of the Nazis. Fifty years later he could not have imagined that he would live the nightmare again. This time, however, the concentration camp is not in Poland. Erected by Freedom’s Hand, it exists as a citadel of suffering and death—in the desert of the American Southwest.

Mike Sirota on Writing, Indie Publishing and His Latest Release

AM: You set this story aside for quite some time before moving forward with publishing. Why now?

MS: Actually, I’ve made a few half-hearted attempts at marketing Freedom’s Hand in its nearly three decades of existence. Let me go back to its beginnings to say that, initially, I never planned on completing the manuscript until a publisher had made an offer. My then-agent convinced me that Simon & Schuster would take it on, but I needed to finish it. So I did—and they didn’t. Too controversial, or something like that. Imagine that—ME controversial! Afterward, I just left it “in the drawer” and went on to the more fun things that I enjoyed writing—until my long estrangement from the writing game.

But last year I pulled it out of the drawer and re-read it, as I did with a few other unpublished projects. Aside from some easily reparable crappy writing, I found it a powerful story, and I recalled how much emotion I’d put into it so long ago. I also realized, sadly, that it remained relevant even today. Hatred and intolerance always seem to be in vogue. People are tortured and killed by the hundreds, the thousands, and more in the name of twisted ideologies. For me, this makes Freedom’s Hand somewhat of a statement.

AM: Amen to that. Any advice for writers who are grappling with similar issues—wondering when to set a story aside versus self-publish it or seek representation?

MS: I don’t think that my experience with Freedom’s Hand and what you’re asking is an “apples-and-apples” thing. If I were a new writer and had a finished manuscript, I would want to see it published as soon as possible. But in my experience, most novices cannot be objective enough to judge if their project is ready, or as I call it—professional grade. They’ll need at least one other set of eyes for that, and I don’t mean their spouse or sister-in-law. A professional evaluation by a writing coach or editor will help that writer determine if the project is READY. While that could be costly, it will definitely speed up the process.

AM: As you know, I LOVE thrillers that address social issues. Yours does so beautifully. Why are its central issues so important to you? What compelled you to write about them? 

MS: My parents were Eastern European Jews who immigrated here in the early twentieth century. I was raised in a predominantly Jewish, lower middle class neighborhood in The Bronx, post-WWII. Many of our neighbors were Holocaust survivors, though I didn’t know this, or understand why they had numbers on their arms, for a long time, because no one would talk about it. When I finally did learn about it—and discovered that some of our own family members had perished in the camps—I was enraged. That anger stayed with me for a long time and proved the catalyst for Freedom’s Hand. (Readers might be interested in a story that I wrote about my childhood experience, titled, The Number People.)

AM: That’s horribly sad, and one reason I think stories like Freedom’s Hand are so important. You’re skilled at making the reader empathize with and fight for the protagonists, in Freedom’s Hand included. How do you approach character development? 

MS: My characters are reflective of most human beings: flawed. We’re just ordinary folks trying to get by in a challenging world, hoping to love and be loved. But sometimes, ordinary people are thrust into extraordinary situations—especially in fiction—and it is how they handle these necessary changes that, I believe, appeals to readers. In Freedom’s Hand we have David Lowe, a nerdy schoolteacher from suburban Chicago, suddenly pitted against a host of murdering, racist thugs in order to save his family. In Demon Shadows, successful novelist Paul Fleming has writer’s block because he misses his kids after a contentious divorce. This doesn’t exactly prepare him for the horrors he will soon encounter at an isolated writers’ colony, but somehow he’ll need to rise to the occasion. Bottom line: readers understand my characters because they see some of themselves in them, and they’ll be rooting for them to overcome whatever challenges I choose to throw in their path.

AM: You can have dinner anywhere in the world with any two authors—living or dead (but rejuvenated!). Who would you choose? What and where would you dine?

MS: The first one, easy: Edgar Rice Burroughs. He is my all-time favorite writer, and my muse. Without him I would never have begun writing. I can think of so many for a second choice, but let’s go with Mark Twain. I think that would be a hoot! His quotes are priceless and often make my day. I would invite them for seafood at one of my two favorite places: the Fish Market in Del Mar or Monterey Bay Canners on Oceanside Harbor.

AM: Awesome! I’m coming. 🙂 Seems as though you’ve been published by just about everyone over the years. What do you love most about being an indie author?

MS: Being in control of everything regarding your books. Not having to rely on the whims of a publisher to promote—or not promote—you, or not even matching your own efforts for the small percentage you’ll earn in royalties. Yes, it can be great to have a BNYP (Big New York Publisher), and once in a while even a newbie can become a mega-author.

But so much of that potential success may rely on things over which a writer has no control. Let me share one of my own BNYP stories. I landed Bantam Books for my novel, Demon Shadows, and thought I was on my way. I had a champion there, an executive editor who loved my work. She contracted me for a second book, The Well. Demon Shadows started out fine, about 25,000 copies sold per the initial royalty statement. The Well was about to be published. Then, my editor left Bantam. Losing your champion can be death to a writer. The Well was published but put Out of Print less than two months later. It never had a chance. I never received a royalty statement for it, or any other for Demon Shadows. And people wonder why I got out of the game back then?

AM: What’s next in the pipeline for you?

MS: A historical novel, a real labor of love that has spanned over three decades and is just about ready. It’s a Native American story—what else? Though fictionalized, it is a remarkable true story that deserves to be known by far more people that are presently aware of it. Enough said.

Mike Sirota August McLaughlin

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Thanks, Mike!  Now it’s y’all’s turn. Have any thoughts or questions to share with this fabulous writer? (He’s also a writing coach and has about 20 zillion additional titles out; he’s a mega resource!) Who would you invite to your author date besides me? What would we you eat? 

You can also connect with Mike Sirota on Facebook, Twitter (he just recently joined!) and his coolio blog, Swords, Specters, and Stuff. His latest post features more juicy bits about Freedom’s Hand! Good stuff.

What’s REALLY Thrilling About ThrillerFest: Fabulous Authors Weigh In!

“An artist cannot fail. It is a success to be one.” – Charles Horton Cooley

What do you get when you put a bunch of story lovers with dark imaginations together in one of the world’s most dazzling cities? Besides Sharknado. (Kidding. I have no idea what that is.) I’m sure some of you guessed right: ThrillerFest. “Thriller” may be intended to describe the book genre, but the biggest thrill of the annual conference is undoubtedly its people. I’ve honestly never encountered such a warm, supportive crew—and I’m not talking blood-curdling, criminal heat.

I first attended two years ago, namely for AgentFest. (Think speed-dating with agents.) I hadn’t read the “how to pitch” tips on the website or attended the pitching preparation panel. Sitting outside the agent-filled room, internal butterflies spasming, a fellow writer who’d done his due diligence voluntarily filled me in. I used a couple of his tips and ended up meeting my agent that day. Then last year, I met Lee Child for the first time. Thinking I would shake his hand and scurry off, letting him get onto whatever it is that super famous authors do, he shook my hand and said, “August McLaughlin. Now that’s an interesting name. What do you write?” (Huh?!?) We chatted for a bit, as though we were from the same planet! 😉 Whether a writing newbie, a volunteer or a librarian, bookseller or agent, ThrillerFest folks are truly that congenial.

I really should've offered him my smoothie.

I really should’ve offered him my smoothie.

Rather than share my own ThrillerFest experiences this year, I thought I’d give you a glimpse through the eyes of some of my favorite attendees. I’m so honored to share their thoughts, and hope you’ll not only read their words, but visit their websites. I suspect that you’ll be grateful you did.

*****

JOHN DIXON, Author of Phoenix Island (Simon & Schuster / Gallery, February 2014), inspiration for the upcoming CBS TV series Intelligence, starring Josh Holloway and Marg Helgenberger:

“This was my third and favorite ThrillerFest, partly because I came to it loaded with happy news—my first book deal and the stop-the-presses announcement that CBS TV ordered the show based on my debut novel—but mostly because of the people with whom I could share it: excellent friends, some old, some new, all of them smart and charming and practically glowing with good energy. That’s the magical thing about ThrillerFest; everyone, from bestsellers to aspiring authors, comes together in the spirit of celebration and support. I’m already looking forward to next July!”

Twitter: @johndixonbooks
Facebook: John Dixon

Left to Right: Todd Gerber, John Dixon, Kyle Steele and Peter Aragno

Todd Gerber, John Dixon, Kyle Steele and Peter Aragno

JON McGORAN, Author of Drift

“I didn’t get to many panels, but the ones I went to were excellent. The YA panel was particularly good. R. L. Stine did a great job moderating, hilarious as always, but he also managed to keep things moving and informative, with lots of great insights from Barry Lyga, Michelle Gagnon, Lissa Price, Kat Rosenfield, Linda Gerber, and Allen Zadoff. The best part, of course, was seeing old friends and making new ones. It’s not always easy being a writer, and you definitely make sacrifices, but once again I was reminded that one of the best perks of being a writer is being able to hang out with such amazing, smart, warm and hilarious people.”

Twitter: @JonMcGoran
Website: http://www.jonmcgoran.com

AUSTIN S. CAMACHO, author of the Hannibal Jones thriller series:

“ThrillerFest was one great moment after another. The highlight for me may have been seeing Ann Rice interviewed by her son (Christopher is the best interviewer EVER!) But my favorite memories are meeting with so many Facebook friends I’d never met in person before. Yeah, turning those electronic pals into 3-dimensional friends that was a series of favorite memories. And many will join me at the next great conference, Creatures, Crimes & Creativity.”

Twitter: @ascamacho
Facebook: Austin Camacho / Mystery Thriller Author

Austin S. Camacho

Austin S. Camacho and Maria Hudgins

D.P. LYLE, MD, ITW VP Education/Member Services; CraftFest Director; Author of the Edgar-nominated author of the Dub Walker Thriller Series:

“ThrillerFest was very special this year and I have many great memories including being ravaged, or is it savaged?, by a host off insane vampirettes, dinner with the wonderful R.L. and Jane Stine at their marvelous home and again at the Awards Banquet, and the opportunity to interview my friend and Spotlight Guest T. Jefferson Parker. And of course hanging in the bar with August as well as Heather Graham, Jennifer Hughes, Kathy Antrim, Twist Phelan and her husband Jack, Hans Watford, Phil Donlay, Bob and Pat Gussin, Tony and Tori Eldridge, and many others.”

Twitter: DPLyleMD
Website: www.dplylemd.com

D.P. Lyle and his throng! (Me, Amy Shojai, Carol Shenold, Twist Phelan)

D.P. Lyle and his throng! (Alexandra Sokoloff, Me, Amy Shojai, Carol Shenold and Twist Phelan)

 DANIEL PALMER, author of Delirious, Helpless and Stolen:

“Interviewing my father in front of a packed ballroom during his Author Spotlight appearance was a highlight, as well as an honor and a privilege.”

Twitter: @DanielPalmer
Website: http://www.danielpalmerbooks.com

Daniel and Michael Palmer

Daniel Palmer and Michael Palmer

BOYD MORRISON, Author of the Tyler Locke Thriller Series:

“Because the Yankees catcher Chris Stewart is a fan of my books, he arranged for me and my wife to get field passes and tickets to the game on Saturday. We had a fantastic time meeting him and watching the game from great seats. Not a bad perk for being a writer!”

Twitter: @BoydMorrison
Website: www.boydmorrison.com

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AMANDA KYLE WILLIAMS, Author of the Key Street Thriller Series:

“No one understands the panic of blowing a deadline or the fear of dry days like another writer. This is one of my favorite things about conferences like ThrillerFest. It’s one big therapy session. Usually in the bar.”

Twitter: @AKyleWilliams
Website: http://amandakylewilliams.com

Amanda Kyle Williams, Carla Buckley, Julia Heaberlin and Stefanie Pintoff

Amanda Kyle Williams, Carla Buckley, Julia Heaberlin and Stefanie Pintoff

ANNE RICE, Internationally Celebrated, Award-Winning Author of the The Vampire Chronicles (and so much more!)

“What I loved most about ThrillerFest was the generous high spirits of the top flight professional authors who’d come there to host and to mingle with all sorts of up and coming and aspiring writers. I mean the whole atmosphere was hospitable and fun, from start to finish, and it gave aspiring writers a chance to connect with professionals, to learn from them about craft and to connect with top flight agents. It was a terrific event. I felt so welcome. I want to support the International Thrillers Writers in any way I can.”

Twitter: @AnneRiceAuthor
Facebook: Anne Rice Fan Page

This year Anne was awarded the International Thriller Writers Lifetime Achievement Award! Congratulations, Anne!

Christopher Rice and Anne Rice, holding her brand spankin' new award!

Anne Rice with her son and fellow author, Christopher Rice, holding her brand spankin’ new award!

I have chills thinking of how inspiring these folks, and many others who attended ThrillerFest, are. I could go on and on and on… Instead, I’ll pass the mic to you. If you attended ThrillerFest, what was your favorite part? Are you thinking of going next year? Any questions for me and/or other attendees? I always love hearing your thoughts. ♥

A Peek Inside ‘Big 6’ Author Life: Amanda Kyle Williams

Thank goodness for books! Seriously. With all of the buzz circulating about Abercrombie & Fitch and its CEO’s damaging messages, I’ve had youth on the brain. Mysteries and thrillers helped me through countless teenage hardships, and I looked up to their creators long before I imagined becoming one. In a world with too many villains (*clears throat* Jeffries!), I’m particularly grateful to my author heroes.

Cup of coffee and book

Today, I’m stoked to bring you one of my favorites, Amanda Kyle Williams. Her Stranger series, starring former FBI profiler, Keye Street, is captivating, witty, spine-tingling and inspiring. Now through Sunday, you can nab its first installment, The Stranger You Seek, for only 99 cents. (Total steal!) I hope you’ll pull up a chair, and a cup of java. This author is one you don’t want to miss.

AM: I first had the pleasure of “meeting” your work, thanks to a serendipitous galley copy of your series premiere. Now, you’re about to release #3. (Time flies!) How different is it, being a further celebrated veteran?

AKW: I can tell you the writing process is very different now. It took me a couple of years to settle into my job. Sometimes just being still is challenging. Learning a new job is challenging. But I’m in the groove now. I have a routine. I’m fairly disciplined and I’m enjoying writing again, remembering why I love it. I lost that for a minute while I was freaking out. I just finished the third book, Don’t Talk To Strangers, and it’s the first time I’ve finished a book without secretly believing I’d never write another one. I hear I’m not unique in this way. Writers, as it turns out, are neurotic as hell.

AM: As a traditionally published, Big 6 (well, 5) author, are you flown around the world with an entourage who wines, dines and does all of your marketing for you?

AKW: [laughing] You’ve been watching “Castle,” haven’t you? Actually, I am treated very well thanks to a great agent, publicist and publishing house. But it’s more like I’m flown to a few cities with mystery bookstores. Great opportunity to develop relationships with booksellers and to meet readers. My books have a few translations now and that means foreign publishing houses so I was very happy to be invited to London last year to meet my UK publisher and attend the Harrogate Crime Writers Fest.

But here’s the truth, or at least my truth and my experience at my level: There’s a big push just before and after a release. Tours and publicity. It’s this crazy blast of activity in the middle of a writer’s solitary life. It’s fun and exciting. And then it’s over. And if you want to keep the buzz going, you pretty much have to do it yourself because publicists and publishers are on the next bazillion new releases. Not that they don’t work hard for me all year. They do. But their attention shifts. They have other authors. Now, if I have a marketing idea or need help, I can reach out and they’re there. The team at Random House has been incredibly available and willing. But it’s up to the author to learn how to promote, attend conferences, meet people, stay involved in the community, keep your name out there, develop social media relationships, visit book clubs, develop a website…

There’s a financial investment associated with conferences, of course. Travel is expensive. But I see it as just that—an investment in my career. A lot of authors blog, as you well know. I don’t. It’s fraught with dangers for a dyslexic writer. I’d have to employ a full-time freelance editor. It’s not something I have any interest in at this point. And honestly, I don’t have that much to say. Some days I can’t even manage a status update or something cute for Twitter so…

(Psst! She’s actually a great Twitter follow. Check her out: @AKyleWilliams.)

AM: What’s your funniest or zaniest fan story? (If your groupies are super normal, feel free to embellish.)

AKW: Oh sure. Everyone knows thriller fans are perfectly normal, right? All I will say is, my inbox gets pretty interesting. Funny story about my first tour: I went to Houston after the release of The Stranger You Seek. Murder By The Book petitioned hard for me to come to Texas and visit their store. My publicist was skeptical. First tour. No one knew who I was. Tours can be brutal anyway. It’s hard to get people out of the house and into a bookstore for a book signing even if they like the author.

So I go to Houston. Nice hotel. Good food. Published book. I’m feeling pretty important. Four people show up, including an older couple, white hair, sitting very quietly through my whole spiel. During the Q&A, I discover they’re only there because they think I’m a long lost relative from Mississippi named Amanda Kyle. [August falls over laughing.] Bless their hearts. More recently, I visited a local book club that chose one of my books as their monthly read and I was asked if I’d ever killed anyone. I took that as a compliment.

AM: Well they were lucky to meet you anyway. What lesson have you learned writing or career-wise, that you wish you’d learned sooner?

AKW: You know, I really wish I’d identified as a writer before I was a professional writer. I was writing on and off for 25 years before it was my full-time job. I think I would have found the confidence to go for it sooner. There’s value in speaking about things before they’ve materialized. It’s like looking like a success before you’re a success. Same principal.

When I began making lists of positive things to say to keep my mind for running negative loops, telling me I wasn’t good enough or talented enough, my life started to change very dramatically. It’s virtually impossible for your brain to get stuck on fear and worry when your mouth is saying something positive like, Everything I Touch Prospers and Succeeds. I’m creative. I’m talented. I have new ideas all the time. I write many books. I have these affirmations posted around my house—on the fridge, inside the medicine cabinet, over my bed on the ceiling with painter’s tape. Turning off that little voice that was holding me back infused my writing with some confidence.

AM: If you weren’t a writer, and could take on any skills/traits, what would your dream alternate career be?

AKW: Seriously, I have no skills except that I can write a little and I’m really good with animals.

AM: If you could have any celebrity endorse your book, who would you choose?

AKW: Um… Oprah. [August cheers too loudly.] I mean, come on. She sells the hell out of books. But seriously for me, for the big rush, I want one of the big boys. Right now Gillian Flynn (Gone Girl) and Lee Child (Jack Reacher series) are my fantasy cover blurbs.

AM: Lee Child would totally blurb you! We shared smoothies once. I’ll put a word in. (Kidding—pretty sure he’s forgotten my name.) What aspect of the author’s life do you find most rewarding?

AKW: Besides typing The End? I guess reading back something you really struggled with, honed and revised, and discovering that you managed by some miracle to say what you wanted to say, or create the emotion or suspense you were going for. Because when I start a scene, it’s not like that. It doesn’t come rushing out of me, perfectly shiny and polished. It’s a painstaking process, word-by-word, building from the foundation up.

The other thing would be getting mail from a reader who really gets the character or was touched by something in a book. I talk a lot about addiction in the series. I hear from a lot of folks in recovery. I get mail from from former cops and private detectives and dedicated crime fiction readers. It’s really great when you’ve gotten it right for them. All the hours pay off in those moments.

AM: Beautiful. Tell us about your 99-cents promotion, and what we can look forward to next.

AKW: My publisher decided to run a nice little promo on the eBook edition of the first book in the series, The Stranger You Seek—$0.99 wherever eBooks are sold in the U.S. The promotion runs through May 19th.The 3rd book in the series, Don’t Talk To Strangers, is scheduled to release February 11th. We thought this would be a great way for new readers to discover the Keye Street Stranger series and jump in at the beginning in advance of the 3rd release.

*****

Great indeed. If you haven’t yet, I hope you’ll all race over to Amazon, B&N, or wherever else you e-book shop, and check out Amanda’s work.

Isn’t Amanda Kyle Williams fabulous? Any thoughts to share with her? Do you relate to her “neuroses” as much as I do??? Sure we’d both love to hear from you.

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In the sweltering heat of an Atlanta summer, a killer is pushing the city to its breaking point, preying on the unsuspecting, writing taunting letters to the media, promising more death. Desperate to stop the Wishbone Killer, A.P.D. lieutenant Aaron Rauser turns to the one person he knows can penetrate a deranged mind: Keye Street, an ex–FBI profiler and former addict who now picks up jobs where she can get them. But the last thing Keye wants is to be pulled into the firestorm of Atlanta’s worst nightmare. And then it suddenly becomes clear that the hunter has become the hunted—and the stranger she seeks is far closer than she ever dared imagine.

Available on Amazon, iTunes, B&N and more.

Criminal Cupid: A Thriller Threesome

There’s nothing quite like a threesome to turn the mundane, plain or pleasant into pure excitement, making the stress and monotony of everyday life irrelevant, if even for a few adrenaline-soaked hours.

Forget roses, greeting cards and candy hearts this Valentine’s Day. You deserve a threesome!

Wait. Put your clothes back on! You knew we were talking about books…right? Okay, good. Because Kristine Cayne, CJ West and I have a sweeter-than-chocolate treat for you. For two days only, February 13th and 14th, we’re offering three thrillers for 99 cents each. Purchase three books for a chance to win an I Survived A Thriller Threesome t-shirt (a $20 value). Purchase one of our books for $10 off of a t-shirt (payable to me via PayPal).

How to play:

Purchase the following for yourself and/or others via Amazon. You must purchase three e-books for a chance to win a threesome tee. Though it’d tickle our frisky fancies if you purchased all three, any combination works. In other words, if you’ve read CJ’s book and loved it, you’re welcome to gift it to three friends. Or you could gift two of Kristine’s book to friends and nab mine for yourself. You get the idea. Then in the comments below, let me know that you’ve made three purchases. (How often do you get to say things like, “I ordered my thriller threesome!” ???) If your name is drawn, I’ll request proof of purchase. We’re giving away six shirts, so your chances are good!

The playmates:

Threesome t-shirt back

Addicted to Love, by CJ West:

Wes Holiday sells his landscaping business and retreats to a quaint mountain town to heal after ending a ten year relationship with a woman he couldn’t bring himself to marry. In three weeks he is so captivated by a hair stylist that he deprives himself of food and sleep to be near her. When the local sheriff is murdered, Wes is recruited to keep the peace in the town his parents built, but he knows nothing about law enforcement and he’s struggling to understand how a woman he just met can dominate his every waking thought. Soon the idyllic town with a penchant for romance is rocked by a bizarre series of murders that defy explanation and it is up to Wes to stop a raging epidemic of violence. Purchase via Amazon

Deadly Addiction, by Kristine Cayne:

When beautiful police sergeant Alyssa Morgan enters his life, Rémi Whitedeer never expects her to upend it. Not only does she have his hormones in an uproar, she’s also threatening to take the position he wants–Chief of Police for the Iroquois Blackriver Reservation. But Alyssa is more than a Barbie cop. Her ends-justifies-the-means philosophy, so different from his own, challenges Rémi on every level. With her sharp investigative skills and her fearlessness, she leads Rémi to confront bitter truths about his family and his standing as a man of mixed race within his tribe.

Tall hunky Rémi Whitedeer, of the panty-melting grin and the smoldering green eyes, flips Alyssa’s world ass over teakettle. She’s always had a laser-like focus on the job, but Rémi proves a constant distraction. His inner strength and sense of purpose strip away the winner-take-all attitude Alyssa wears like armor. Soon she’s longing for more–a more that terrifies and intrigues her. If he finds out the fine line she’d walked while undercover, will he still want her? And will she ever find the courage to let him–or anyone–that far in?

When Alyssa and Rémi uncover a drug-fueled scheme involving a biker gang from Alyssa’s past and a militant sovereigntist group led by Rémi’s cousin, they are forced to choose between their growing love for each other and the lives they’ve worked so hard to build. Will Rémi and Alyssa have to leave everything behind–even their identities–for the chance of a future together? Purchase via Amazon

In Her Shadow, by August McLaughlin:

One woman locked in a basement, nearing death and longing for escape. Another baffled by the inexplicable symptoms wreaking havoc on her life. Both are lost and alone, yet somehow connected. And time is running out…

Near the tenth anniversary of her parents’ unexpected death, Claire Fiksen, a lovely young Harvard-grad and gifted psychologist in Minnesota, develops bizarre symptoms of an eating disorder that threaten her fledgling career, her relationship with a handsome young medical student, her grasp on reality and, soon, her life.

When her beloved grandfather reveals that there may be more to her parents’ death than she’s realized, Claire’s pursuit of healing becomes a desperate search for answers as she delves into her family’s sordid past. Meanwhile, someone is watching her every move, plotting to draw her into her own twisted web of misery. Claire has something he needs, and he’ll stop at nothing to obtain it. Every step Claire takes brings her closer to the truth and danger. And her life, she discovers, isn’t the only one at stake. Purchase via Amazon

Thriller Threesome shirt

For more more writerly, book and threesome fun, pop by my fellow playmates’ blogs:

Blogging with Kristine Cayne  ♥  C.J. West: Suspense. Creativity. Action

Wishing you a happy Valentine’s Day and, if you choose to play, a very thrilling threesome. 🙂

August, Kristine and C.J.

Have you ordered your Thriller Threesome? Do tell! Spicy details and creativity welcome!

IN HER SHADOW Paperback Release and Giveaway

As a kid, my mouth seemed to house only sweet-teeth. I’d eat sugar cubes by the handful, given the chance, and once trick-or-treated in the heat of July (dress up plus free candy: a total sweet-o-holic win-win). Years later, when disordered eating set in, sweets became the bad boyfriend I had to resist, or face punishment. It’s a beautiful thing to be past all of that, particularly since it’s allowed me to recognize and pursue my writing dreams.

Good thing nature makes "candy," too.

Good thing nature makes “candy,” too.

In his book How to Write a Damn Good Thriller, James Frey describes concern over social injustice as the reason authors write certain thrillers, such as Blood Diamond, Dr. Stangelove, Serpico and The Constant Gardener. The authors feel compelled to shed light on and perhaps help correct these injustices, he says, thereby improving the world. I certainly relate to that motivation, and in my own meager way, that’s one of the things I’ve tried to do with In Her Shadow: shed some light into what eating disorders feel like from the inside. From understanding stems growth.

Since my e-book release last month, there have been exhilarating highs and proverbial dips. One day after I received praise from Kirkus Reviews, a reader called my novel unedited, and my use of the acronym  E.D. “lazy” and mistakable for erectile dysfunction. (You can laugh. I have. :)) Like all books, mine is not for everyone, nor is the rocky ride known as publishing. When our work resonates with readers, though, WOW. It’s a remarkable feeling that makes bumps seem bearable and sitting down to the empty page again and again a near given. (Every one of you who posts reviews for books you enjoy, give yourself a big ol’ hug!)

I thought about sharing the worst and best reviews today, but Mr./Mrs. Erectile Dysfunction included spoilers. Instead I’ll share two of the most touching:

I was breathless from the first word I read!, January 28, 2013

This book touched my heart before I even turned the first page.

Ms. McLaughlin’s writing is elegant, gentle, subtle, and drew me into her story by the heart, stirring concern and compassion for her exquisitely vulnerable characters. She writes about pain without assault or brutality. Whereas the stories of many authors leave one feeling bruised and hurting, August evokes caring, tenderness and a deep empathy.

Of special note is the sensitivity with which she dealt with the dynamic of an eating disorder, bringing me into the experience in such a vulnerable way that I was allowed to live it, sharing the anguish of it, not just looking at it and “understanding” as an observer. This is not only incredible writing, but a gift to those who struggle with eating disorders, unable to find the words to describe their torment to a culture that cannot comprehend the “illogic” of their behavior. — Psychologist/Author, Jan Harrell

The other came via email from a woman who’s struggling with bulimia. With her permission, here is an excerpt:

I’ve read lots of books about eating disorders, but this is the first time I was like, “Yes. The author gets its.”  I gave it to my boyfriend to read. I think it’s helping him understand it, and me… Thanks for writing In Her Shadow. It gave me strength. I also had fun reading it, which is saying a lot. (It must be good to distract me from my freaking disease. :)) I hope you always keep writing. — J.

And here is the brand-spankin’ new back cover, by the ever-fabulous Steena Holmes:

IHS back

In celebration of my paperback release and in honor of J. and her courageous battle, I’ve decided to offer a fun little giveaway. To qualify, follow these two steps:

1. Pop over to Amazon between now and February 2nd—and order In Her Shadow.

2. Email me your purchase confirmation (august at augustmclaughlin dot com) and where you’d like your LOVE YOUR BODY affirmation magnet sent. Yep! Everyone who orders within the first two days can claim one.

Thanks so much for the continual support, all. It means more to me than healthy or sugary sweets ever could.

What’s your main writing motivation? Any funny/horrible or rave reviews of your work you’re up for sharing? What feedback or compliment has taken you by surprise?

IN HER SHADOW Thrill-fest and Release Party!

When I finished the first draft of my novel, I called my mom, sniffling. “You should rest,” she said. “You just birthed a novel.”

baby book names

Yes, as a parent and poet, Mom gets it. I hesitate to draw many parenting/writing comparisons, not having kids myself. Judging from what others who do have shared, however, numerous parallels fit. “Birthing” a book is intense, exciting, gratifying, sometimes painstaking and frustrating work, all made more enjoyable, manageable and profound by the support of others. So I suppose I should now welcome you all to my “baby” shower. May the diaper games begin! 😉 Kidding. As bizarre fun as that sounds, I think we’ll venture elsewhere, starting with what matters most at this party: you all.

I can’t thank you all enough for joining me in my journey this past year-plus, in whatever capacity you have. I wish I could list everyone I’m grateful to by name, but that would be about as breezy to read as one of those “old fashioned” phone books. Here are the highlights:

I’m particularly grateful to my parents for never saying “don’t” and always saying “dream;” my husband, for reading nearly every word of my every draft and tolerating my maniacal writer-dom in ways even I sometimes can’t; my friend and mentor Mike Sirota, for running my pages through the Simon Cowel-like ringer and being there through days dark and bright; my agent John Rudolph for believing in me, thinking outside of the box and helping me become a stronger writer; digital publishing manager Yassine Belkacemi for uploads, formatting and fielding my endless questions with considerable patience; Steena Holmes for her beautiful work on my cover and tireless support; and my furry and feathered office pals, Zoe and Wombley, whose animal-love I thrive on.

To my blogging friends, the WANA crowd and Jedi master Kristen Lamb, fabulous folks I’ve met through Bouchercon, ThrillerFest and the Southern California Writers Conference and friends I’ve fallen in writer-love with through words and pages, THANK YOU. I hope you know you’re like permanently implanted in my heart. 😉

Now for the FUN STUFF!

I’m stoked and honored to invite you all to the IN HER SHADOW Thrill-Fest Giveaway raffle. Some of my favorite thriller authors have joined in by offering up some spectacular prizes. Up for grabs include signed books by Amanda Kyle Williams, David Freed, DP Lyle, Donna Galanti, Stacy Green and Amy Shojai. I’ll be giving away three copies IN HER SHADOW, hot off the presses in a couple of weeks, each accompanied by an interview with me.

A lowdown of the prizes:

Each prize includes a signed book and, in most cases, an interview with the author. The interviews may be conducted by phone, Skype or email and, potentially, shared on your blog or website. You can also gift your prize to a thriller-loving or “writerly” friend. The interview details will be worked out via email, based on the author’s preference and what works for you, at the raffle’s end. Check out these tantalizing covers:


raffle books

How to enter:

Hop over to the GIVEAWAY tab on my Facebook page, using this link. The raffle widget will guide you through a variety of simple ways to support participating books and authors. While not necessary for the raffle, I hope that when you visit the authors’ Amazon pages, you’ll click that little “like” button if you indeed like what you see. You can also gain raffle points by commenting on this post. (See below.)

The raffle ends this Saturday, January 12th at midnight. You can utilize every raffle option once daily, today through Saturday, for a maximum of 50 raffle points per day. Not too shabby, right?

For even MORE fun, join me and my friend Karina, the Goddess of Terrifying Trivia, tonight for a virtual launch party on Facebook. We’ll be giving out more prizes and having a heck of a lot of goofy, thriller-related fun. The party goes from 5pm to 9pm PST, and you’re welcome to pop by for a virtual drink or linger all party long. You can also join us on Twitter: #InHerShadow. For further details, visit:

IN HER SHADOW Thrill-Fest Launch Party on Facebook

In Her Shadow - Finalx2

I hope to see you there! So much love and gratitude,

August

*Using the following prompt, post a comment below between today and Saturday for another chance to win. I’ll give 10 extra points for the most creative comment. Ready…set…GO!

How is writing like or unlike childbirth or parenthood?